Where The Blues Were Born In New Orleans

Where The Blues Were Born In New Orleans 的简化版吉他和弦，作者为 Louis Armstrong

N/A•
吉他
调音

E A D G B E

变调夹

品位1

变调夹

移调

0

变调夹

  • C

  • D

  • G

  • F

  • F#

    2

  • B

    2

  • E

  • Am

  • Bb

  • Gm

    3

  • Cm

    3

  • C

  • D

  • G

  • F

  • F#

    2

  • B

    2

  • E

  • Am

  • Bb

  • Gm

    3

  • Cm

    3
    • Intro 1
    C

    D
    G
    F
    D
    C

    G
    D
    C
    G
    F#
    G
    C

    G
    C
    G
    B
    F#
    G
    C

    G

    F#
    Folks,
    Verse 1
    F#

    G
    F#
    G
    C
    G

    come gather round my stand an d hear
    F#

    Satchmo's

    Happy

    Dixie
    C

    Band.
    F#
    C

    Now, I know some people call it corn,
    F
    C
    E
    F#
    D
    F#
    G
    C
    G
    F#

    but right here is where the blues was born.
    G
    F#
    G
    F#

    Hear that music blue just spring that you'd
    C
    Am
    D
    F#

    like to strut to on the floor.
    C
    Bb

    Hear the slide trombone and trumpet moan
    C
    Bb
    C

    as you're coming through the door.
    Am
    D
    C
    F#

    I'll guarantee that you'll never see
    C
    Bb
    F#
    Bb
    C

    black lights of them again.
    E
    C
    Am
    Bb

    Stomp your feet to the beat of the
    F#
    G

    Dixie music, men.
    F#
    G

    Everybody move,
    D
    G
    F#

    get right in the groove.
    G
    E
    C
    G

    There ain't nothing you can lose.
    F#
    C

    Now right here's the spot where
    G

    we'll all get hot.
    F#
    C

    That's the mess of blues.
    G

    Here's the place to slap
    C

    and spank that bass.
    Am

    Here's the music.
    D
    Am
    C

    And I mean,
    G

    this is where the blues is born.

    The
    F#

    New
    C
    B

    Orleans.

    Let me introduce

    Mr.

    Charlie
    F#
    B
    C

    Beals, piano man.
    G
    E

    Can he spiel?
    B
    D
    G
    C

    Only got two hands, but that's plenty.
    G

    When he plays,
    F#
    D
    E
    F#
    D
    G

    it sounds like 20.
    D
    C

    An d he has

    Kid
    G
    C
    D
    C
    E

    Ulrich on the horn.
    B
    C
    G

    Greatest sliding man ever born,
    F#
    B

    plays trombone smiths with laughing notes.
    G

    No human being ever rode.
    B
    F#
    G
    G

    B

    G

    Everybody knows
    C

    Zutty
    G

    Singleton.
    G
    B

    He can eat them sheepskin
    G
    D
    B

    s like no one.
    D
    G

    Cymbals, bells, and all that stuff.
    G
    G

    Give all the face and treat them rough.
    C
    F#

    And then here's
    G

    Barnaby
    F#

    Goddess
    G

    Clarinet.
    F#

    You ain't never heard

    nothin' like him yet.
    G
    C
    G

    When he cuts loose, I know you'll roar.

    Mr.

    Big
    D
    F#

    Eye, please give me more.
    C
    D
    C
    D
    C


    D
    C

    Now here's

    Bud

    Scott and his old guitar.
    E
    G
    C

    Always smokin' that big cigar.

    He's the rhythm man of a great renown.
    G
    B
    F#
    G

    Give a listen while he goes down.

    Red calendar, meet him face to face.
    B

    He's the one that plays that old slap bass.
    G
    D
    G

    He started out with a violin,
    B
    C

    and the doggone thing just grew up
    G
    C
    G
    B
    G

    on him.
    D


    And there's me.
    G
    F#

    Excuse my crust.
    G

    Introduce myself, my buzz.

    I'm
    Am

    Satchmo
    D

    Armstrong, don't forget.
    C
    G
    F#
    D
    F#
    D
    G

    I got to get up out on the old cornet.
    C
    Gm
    G
    E
    F#
    G

    C
    Cm
    D
    G

    B

    D

    Last of all, meet
    G

    Mr.
    B
    C

    Nick, gambling man,

    and he's mighty slick.
    B
    C
    B
    G
    C

    He's the boss man of this place, and how,

    Mr.
    G
    G
    C
    G
    C

    Nick, please stand up and take a bow.
    G
    E
    G
    C

    G
    G
    C
    G
    C
    G
    C
    G

    C
    C
    G

    G
    C

    C

    G



    -WATCH

    你觉得这首歌曲怎么样？

    您需要登录，才能留下评分。
    使用GuitarTuna学习演奏Louis Armstrong的Where The Blues Were Born In New Orleans

    掌握Louis Armstrong的Where The Blues Were Born In New Orleans吉他曲，并探索由我们认证编辑创建的10000个乐谱。

    无论您是第一次学习Louis Armstrong的Where The Blues Were Born In New Orleans，还是在完善您的技能，GuitarTuna都能让您更轻松地练习吉他、贝斯和钢琴。加入已经在GuitarTuna上使用他们喜爱的歌曲进行演奏的200万音乐家。App Store评分4/5。

    自动滚动20%

    更多可弹奏歌曲

    加入数百万 GuitarTuna 用户

    • 最棒的调音器

      在 AppStore 和 Google Play 中

    • +

      AppStore 和 Play 评分

    • M

      随处下载

    • k+

      可用的歌曲

    受到全球吉他手的信赖

    • 最棒的调音应用

      MaddProfessor

      “我之前下载过很多调音应用程序，这个是迄今为止最好的。它使用简单，超级易懂，还有很多有趣的和弦和歌曲可以帮助你学习新歌曲。我强烈推荐。”

    • 设计精良的应用

      Rose the Black Cat

      “我主要用这个应用为我的吉他调音，它让调音过程变得尤其简单。它还有着大量歌曲供你跟随弹奏，还会告诉你应该弹奏哪些和弦，或手指的把位应该怎么摆，这对我很有帮助。”

    • 让我重新开始弹奏

      Tuliketsune

      “我下载这个应用来给我的一把旧吉他调音，但我注意到这款应用有一个随着我弹奏驰名乐曲时让曲谱跟随和弦自动滚动的功能。出于某些原因，比起其他练习吉他的方式，这种方法更能让我激发学习动力。现在，我真的开始进行练习，并记住那些和弦的名称了。🙂”

    • 秘密武器

      Brad

      “它不仅是一个调音器（也是我个人用过的最好的应用调音器），而且还有节拍器、游戏、和弦，以及大量乐器可供选择，而且超级容易操作。我喜欢它！感谢你们制作了一个很棒的应用程序。作为一个音乐人，我十分感谢！！！”

    • 非常可靠的调音器

      theNewPaul

      “这是一个很棒的应用程序！非常易于使用且非常可靠。如果你还是个新手，可以通过这个应用程序轻松快速地调音，免去烦恼。强烈推荐！”

    • 这是有史以来最好的吉他调音器。

      Caleb Schafli

      “它可以准确地调音你的吉他，让你的吉他音质达到最佳水平。我也喜欢所有其他的小游戏功能，因为它们教你如何弹奏不同的和弦，还可以通过聆听它们来学习如何识别这些和弦。更棒的是，这些功能都是离线可用的。”

    • 调音和弹奏功能都很优秀

      Lynae T

      “调音，寻找并弹奏我的最爱歌曲十分简单，我非常钟爱这一点。”