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The Corner 创作者:
Quincy Jones
Quincy Jones
Logo

N/A
Verse 1
Em

It had to be sweetness
G

'Cause I'd been in New York all the time, and he brought Charlie Parker in this hotel room,

in the Booker Washington Hotel
C
D#

There was nothing to do but play, you know,

and we had a lot of fun trying to play, you know
G#
Em

That man, Charlie Parker, was mine

That was the first time I ever had the

pleasure to meet Dizzy Gillespie
G#

I can remember Miles
G
Em

Miles was in my original band
G
Em

And Charlie Parker created the sound, and the moment I heard him I said,
G

"that's how music should sound"
Em
Verse 2


A tribute to the Birdman,

the father of Birdland

A masterpiece that release the horns,

words and

The musical greats, salute the late

Mentor, inventor of a sound

that dates back

From bebop to pop and pop

to hip hop

We fused the times of jazzing

rhymes and got

Kool Moe Dee and Big Daddy Kane
C

To bring on the legends; Kane,
Em

hit the names
Verse 3
Em

I kick a rap to what you can relax to

A jazz soloist,

play away with the sax

To get the job done,

next one up to do his duty

Ladies and gentlemen,
Interlude 1

mister James Moody
Em
C#m

Verse 4

Em
Bm
Em

No one goes the mile like Miles Davis

Watch how he plays

this trumpet and pump it

Just like a mechanic handles a tool
G

Here's the rebirth of the cool
Em
G

Bb
Fm
D
G
D#

Verse 5

Em

What kind of noise can a string bring

Making you swing and sing things

of a musical fling

Well listen to this star,
C#m

next up is our–
Em

Oh, George Benson bringing the guitar
G

Asus4
Em
Verse 6
F#m
C


G
Em

A voice of choice used just

like an instrument

So magnificent, I'm proud to present

Divine, Sassy or A.K.A Sarah Vaughan
D#
G#

Honey, you're on
Interlude 2
C#m

A
C#m
Em

Verse 7
Em

I'm introducin' a bop revolution

In jazz that has pizazz, he

is one player usin' it

Ask who is he, his first name's Dizzy

Last name Gillespie,
Fm

now watch him get busy
Interlude 3
D
C#m

Em
D#
C#m

Verse 8
C#m

Allow me to tell a story about Ella

Fitzgerald, who's sound can

never be sterile

A woman with flexibility of range

Making octaves change,
Em
G

go 'head do your thing
Verse 9
F
Em
C

This is
G
Em

a

shoutout to one more man

Joe Zawinul, the writer of Birdland
Em
C#m
E
Em
Verse 10
A
Em



In the fifties, this was the place to be

From the bands down to

the maitre'd

Now, who could forget the

MC on the set

The emollient voice of Pee
Verse 11

Wee Marquette


Ladies and gentlemen,

as you know we have something special down here at Birdland this evening
Verse 12

A sound so profound it's come

back around

52nd Street is now world- renowned

With horn licks with kick,

and swift riffs to stick

Today bebop makes the hip hop pick

These musical genius's souls

are so clever

They changed the face

of music forever

And if you can't understand
Em

Here's a past and present Birdland

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  • Em

  • G

  • C

  • D#

    6
  • G#

    4
  • C#m

    4
  • Bm

    2
  • Bb

  • Fm

  • D

  • Asus4

  • F#m

    2
  • A

  • F

  • E

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