调：A major
Intro 1
Verse 1
deal with all that?
It seems like a lot of pressure to
I don't know, I guess I've
never been in your shoes.
The way I relate to relationships and women
relationship with her.
or in sharing these songs with her
and much of it is focused on her.
is that worth talking about?
D
G
F
Is that weird?
question of yours, you know,
and their time together,
C
F
their life together, it just seems to me that
her, she would have an interesting perspective
D
G
C
F
on this whole thing.
D
G
C
F
England, for example, and he interviewed and somebody said,
you know, I read and he
C
F
talks about two of you can comment on that,
either from her mouth or your mouth, it's
And it's like, I almost want to ask
D
G
C
F
her that.
D
G
C
F
F
G
and making music to stay in prison or writing from the enemy line,
you know, in these love
You're writing these songs to her,
D
G
C
F
D
G
C
F
right in of her.
Keeley planning on getting
married or kids?
C
F
Is there that kind of conversation going on in addition to
D
G
C
F
D
G
C
F
business and creative and music?
D
G
You know, just from a personal standpoint,
I can never understand how people can put
C
F
themselves in a role in which their day job or their
D
G
craft is being assessed or being critiqued
C
F
you know like I just from a personal you know from
where I sit there are articles written about
it's appreciative or critical it doesn't even matter it's
When you're a musician there's a whole press industry,
C
F
the whole publicity, I don't know, the whole
Bob
Wax of the world.
C
F
you know, your sources of inspiration are.
Gm
D
A
D
Bm
Eb
You're going to have to stomach a lot of that.
Cm
Eb
Gm
D
A
Bm
Cm
Eb
Cm
Eb
Gm
D
A
D
Bm
Cm
Eb
Cm
Gm
D
A
D
Bm
Eb
Eb
D
Bm
Thank
You
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