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Gear Jammer & The Hobo 和弦由
Johnny Bond
Johnny Bond
Red Sovine
Red Sovine

N/A
Verse 1
D
A
G
D
G
D
A
D

The high ways that wind
G

and wander across this lonesome land
D

sure can get weary sometimes,

Especially when you get a flat

on the old easel.
G

I was barreling down Old 77 one day
D

and I just passed a hobo
G

who'd given me the thumb.
A

And I gave him the thumb back
D

and kept going.
A

And wouldn't you know it,
D

about a quarter of a mile further

I pulled up on the shoulder
A

with a flat on the right rib.
G

And as I stood there looking at it,
D

shaking my head,
G

uttering some profane syllables,
D
G

The hobo walked up and said to me,
D

Have a flat?
A

No, thanks, I got one.

It ain't too bad,
D

it's only flat on the bottom.
G

Oh, brother, you could tell this guy
A

had been out of circulation
D

for a long time.

Whatcha gonna do about it?
A

Well, I was just gonna look for a man
D

to help me fix it.

Good, I'll help you look for him.

How about you?
G

Yeah, how about me?

Well, I mean,

how about you giving me a hand?

Oh, I'd like to help you, old buddy,
D

but I'm too light for heavy work

and too heavy for light work.
A

And too lazy.
D

Well, that might fit in there someplace.

Well, thanks a lot.

I'll fix it myself.
A

And I'll supervise the job.

Uh, say, old buddy,
G

how about giving me a dime

for a piece of cake?
D

Well, if that don't beat all.
G
D

And it's cake you want.

Well, today's my birthday.
A

All right, help me fix this flat
D
A

and I'll buy you a full dinner.
D

Okay, you got a deal,
G
D

but, uh, let me see the menu first.
Bb
D

Look, Buster,

you know hard work won't kill you.

I don't know,

I lost several wives that way.

Come on now,
G

you look strong enough to work.
D

And you look handsome enough
G

to be a movie star,
D

but I see you're pushing this old easel.
G
D

Ah, surely you must have done some work.

Oh yeah, I work now and then.

What do you do?

This and that.
A

Whereabouts? Here and there. I see.

Now when are you going to

give me that dime?
G

Oh, sooner or later.

You can kid me if you want to,
D

but I'll tell you one thing.
G

I wouldn't change places
D

with a guy that had a million bucks.
A

How about five million?
D

Not even five million.

How about ten million?

Not even one.

Now, that's different.
G

You're talking real dough.

Now, look here,
D

you no good mangy knock -kneed,

bow -legged, ball -headed,

two -bit hobo.

Who are you calling bow -legged?

Now, look,

you're gonna help me fix this flat,
G

or I'm gonna break your...

Careful, chum, you'll bend the suit.

Now, for the last time,

are you or ain't you?

You get so excited.
D
A

Okay, I'll help you.
D

Let me take a look at that tire.
A

Hmm, just as I thought.

That ain't no blowout, just a slow leak.
G

Hand me that tire pump.

And friends, if I hadn't seen
D

it with my own eyes,
G

I wouldn't have believed it.
D

That tramp took that pump,
A
D

and with one hand, mind you,
G

pumped that big tire full of air in no time.

Well, what do you know? No flat.
D

Partner, I want to thank you.

Hop in the cab,
A
D

and the next stop we make,

I'll buy you the biggest steak
G

and the best cake they've

got in the house.

Sounds like a winner.

Just one thing, though.
D

I noticed you only used one hand

on that tire pump.

How come?
A
D

Oh, I don't know,

except this arm's broke.

Broke? Just a little bit.
A

Oh, I'm sorry, old buddy.
G

How did it happen? Well, it was like this.

I got a hold of this copy
D

of the Playboy magazine.

Yeah.
G

And I thought it was a Sears

and Roebuck catalog.

Go on.
D

And I broke my arm
A

filling out order blanks.
D

Oh, no, come on, let's hit the road.
Outro 1
D
G
D

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